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Lucy was of opinion that the ship must prove the Minorca. She well understood that the two vessels could not be far asunder, and quite rationally concluded that the sail ahead was the barque. It would have needed, however, a keener gaze than either Captain Acton[Pg 413] or the Admiral was capable of bringing to bear, to penetrate to the girl's thoughts. Whilst the distant vessel leaned like a small orange flame gently blown sideways by the wind upon the early evening purple of the horizon, Lucy would overhang the rail with her brooding, beautiful eyes dwelling upon that far-off vision, and the expression of her face was in these intervals of motionless posture and steadfast regard, as though she was asleep and dreamt, and that her dream was partly sweet and partly vexing and bitter, so that her whole look was that of one who slumbers, through whose sealed lids a vision of sleep slides to the heart to trouble its pulse. chicken road game original, Sir William Lawrence was very grave, his looks were stern, almost fierce, as he entered the boat. Captain Acton was cool and thoughtful. His brow was knitted; his lips were set. His demeanour was that of a self-possessed man confronted by a condition of things rendered complex by features extraneous to the main trouble or difficulty, yet confounding it by their existence. Lucy watched the scene from the after-part of the Aurora's quarterdeck. She stood alone in that part of the ship leaning upon the rail, and once or twice her gaze followed the boat that was bearing her father and the Admiral to the Minorca; but it was chiefly directed at the[Pg 434] barque whose length she explored for a sight of the tall figure whom she had immediately recognised as Mr Lawrence, whilst Sir William was surveying his son through his glass. She mused upon the amazing passage of her life that had filled the interval between the time of her going on board yonder ship, believing her father to be lying dangerously injured in her, down to the hour of her transference to the Whitby brig. Never was her pensive beauty more fascinating than now, whilst her soft dark eyes brooded upon the ship that had been her floating prison. What would Mr Lawrence say or think when he came to understand that her madness was feigned, a dramatic stratagem to obtain liberty and restoration? How would he—but how could he—face his father whom he had degraded, and her father whom he had robbed and wronged?

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